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©Meymac Jm 2017 22.jpg 1920px|Josselin Mathiaud

Meymac

A village with a great tale to tell

Meymac feels like a real getaway, a special retreat in unspoiled countryside. Yet it is also full of history with a great museum and art exhibitions, and stories of wine merchants who reshaped their fortunes with a barrel and a dream.

An idyllic retreat

Situated on the borders of the picturesque Millevaches plateau in the Haute-Corrèze, Meymac is a delightful mountain town steeped in history, charm, and stunning natural beauty.

With its steep slate roofs, granite houses, and winding streets, Meymac exudes an air of timeless authenticity. With its iconic clock tower and abbey, it’s no surprise that Meymac has earned the prestigious title of “Plus Beau Détour de France,” celebrating its unique blend of culture, history, and unspoiled countryside.

A Gateway to the Plateau des Millevaches

Meymac serves as a perfect base for nature lovers, located on the edge of the Plateau de Millevaches Regional Nature Park.

This vast natural reserve is renowned for its stunning landscapes of forests, rivers and lakes, offering plenty of opportunities for hiking, biking, and wildlife watching.

The air here is crisp and fresh and life slows down to the peaceful rhythm of the seasons.

History around every corner

Meymac’s rich history dates back to the Middle Ages.

At the heart of the town lies the thousand-year-old Saint-André Abbey, founded in the 11th century.  This ancient abbey once housed Benedictine monks, and today, it is home to both a contemporary art centre and the Marius Vazeilles Museum.

The museum dives into the region’s deep archaeological roots, showcasing everything from prehistoric tools to Gallo-Roman relics.

Saint-Léger Church and the Black Madonna

Beside the museums, one of Meymac’s must-see landmarks is the stunning Saint-Léger Church, a beautiful example of Romanesque architecture. Originally built in the late 11th century, the church has been expanded over the centuries, and its bell tower, porch and nave are adorned with exquisite arches and capitals.

Inside, you’ll find a remarkable piece of history—a 12th-century statue of a Black Madonna. This ancient statue, typical of Auvergne’s artistic tradition, is a powerful symbol of faith and devotion that has survived the centuries. The Black Madonna is a highlight for both art lovers and pilgrims, drawing visitors from far and wide to admire its spiritual and artistic significance.

The Abbaye Saint-André and Museums

Meymac isn’t just about ancient history—it also embraces contemporary culture.

The south wing of the Abbaye Saint-André now house the Centre d’Art Contemporain, a vibrant art space that regularly hosts exhibitions and cultural events.

In the north wing of the abbey, you’ll find the Marius Vazeilles Museum, which showcases the region’s rich archaeological and historical heritage. From prehistoric artifacts to relics from the Gallo-Roman period, the museum provides a fascinating look at the area’s past.

Meymac-près-Bordeaux

The Surprising Story of Wine Merchants

Though Meymac is far from Bordeaux, it played an unexpected role in the Bordeaux wine trade during the 19th and early 20th centuries.

The fascinating story of how Meymac became known as “Meymac-près-Bordeaux” begins with a man named Jean Gaye-Bordas, an illiterate but clever and enterprising wine merchant who forever changed the village’s fortunes.

n the 1860s, Gaye-Bordas had the brilliant idea of selling Bordeaux wine door-to-door in northern France and Belgium. Using his peddler skills from his time as an itinerant umbrella salesman, he marketed himself as a winemaker, even though he was sourcing the wine from Bordeaux producers. He would travel, sell wine, and only collect payment on his next trip, a system that gained him widespread trust and success.

This was the start of the Bordeaux wine trade and Jean Gaye-Bordas became rich overnight. His method was so successful that hundreds of other merchants from Meymac and the surrounding region followed suit. This period of wine trading brought new wealth to the Haute-Corrèze region, and the legacy of these merchants is still visible today in the town’s grand architecture and continued prosperity.

Many merchants actually bought vineyards in the Bordeaux region themselves. Some families from the Corrèze still own vineyards in the best Bordeaux crus, including châteaux in Saint-Emilion and Pomerol, such as Château Taillefer, Château Lafleur-Pétrus and the amazing Pétrus.

These prestigious families developed the wine trade, taking advantage of Bordeaux’s maritime gateway to Great Britain, which was fond of good Bordeaux wines, and later to the United States.

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